WINNER
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PRAISE FOR 'L'ORIGINE'"What a gorgeous, captivating novel: a tour de force! Who knew that a painting’s provenance could make for such a profoundly moving and thought-provoking page-turner; I couldn’t read fast enough and at the same time didn’t want to reach the end. Lilianne Milgrom has written a masterpiece worthy of the iconic Gustave Courbet painting that lies at the heart of L’Origine." JOAN DEMPSEY Author of the award-winning novel, This Is How It Begins. “There’s nothing like a good story to grip a reader, and Milgrom’s own tale of witnessing and emulating Gustave Courbet’s L’Origine du monde is the perfect way to get into—and attempt to understand—this infamous masterpiece. Highly recommended for art history aficionados, Francophiles, history and biography fans, and readers eager to glimpse the fascinating world beyond the frame.” JENNIFER DASAL, Podcast host of ArtCurious and bestselling author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History "Brilliant, engaging, and beautifully written. This book was an absolute delight to read. From the very first page the author managed to grab me, haul me to Paris, take me on her copying journey, then thrust me back 155 years and let me experience the birth and life of L'Origine du monde. This was one of those rare books that gave me that indescribable feeling of pure satisfaction after finishing a fulfilling story. It has made itself a very special place in my heart and it's quite obvious why. "L'Origine" was written with love. And I cannot emphasize enough the power such love has on a book." ROSALINE R. Reviewer, Reedsy Discovery "L’Origine got me hooked - what a story! Milgrom brings the reader right along with her on her adventures as the copyist of one of the most well-known paintings in all of France and maybe even the world. It's not one more of these books about people coming to France and fixing up an old farmhouse.... " HARRIET WELTY ROCHEFORT Author of "French Fried, "French Toast", and "Joie de Vivre" "Milgrom’s historical grasp of her subject is impressive; a deft blurring of fiction and reality, in which a painting commissioned for strictly private use is now gazed at by thousands. The unifying thread throughout is the mute voice of ‘L’Origine’ itself." KATHERINE MEZZACAPPA Reviewer for the Historical Novel Society "L’Origine is, indeed, an apt title for Lilianne Milgrom’s debut novel, since it is the painting itself—L’Origine du Monde—that is the heroine of this vividly-written, well-researched, and highly compelling book. Part historical fiction, part personal journey, L’Origine tells the story of “the world’s most erotic masterpiece” and its effect on those who tried to capture it, in one way or another—including Milgrom herself. The notorious little painting is, above all, a survivor. Its page-turning odyssey, told in richly textured prose, is an original story well-worth reading." BARBARA LINN PROBST, award-winning author of Queen of the Owls: A Novel “A captivating historical fiction based on Gustave Courbet’s painting L’Origine du monde (1866), following the personal and intimate journeys of its successive illustrious owners and dealers, against the background of the Franco-Prussian war, WW1, and WW2 respectively. The author’s encounter with this same painting at the Musée d’ Orsay in Paris 150 years later, while becoming the first copyist of the painting in 2011, sparked the reconstructed narratives presented in this book. From the proximity to the scandalous piece, Milgrom composes a realist allegory of the life of a very special painting” STEPHANIE JEANJEAN (PhD) New York-based French art historian, curator, translator "Immaculately researched and full of verve, the book is a real achievement, one which I read it with fascination and admiration. Milgrom's story of one of the more notorious paintings in the history of art is prefaced with a tale of her own: how she spent several weeks in the Musée D'Orsay making a painted copy of Courbet's original L'Origine du monde painting, under the curious and sometimes lascivious eye of other museum goers." Five stars. CHRISTOPHER P. JONES Art historian and author, UK |
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